“After revising the typeface design, which started as my 1995 graduation thesis from art university, I was able to turn it into a working font. A fully-proportional Japanese typeface design is not only about the design. Turning it into a working font is not possible without technological help. By defying the boundaries of traditional Japanese type design, I think that I was able to create a freely flowing design.”

Says designer, Ryoko Nishizuka (via TDC2 2010 Winners)